Woman is cut in half and killed after Brazilian bus is hit by a train on a crossing, throwing the victim through a window and underneath rail carriage's wheels

King Charles was 'hard to pin down' on whether Meghan and Harry would be invited to the Coronation, Omid Scobie claims in new book Omid Scobie hurls more truth bombs in new interview to promote Endgame: Biographer claims he knows identity of royals who 'commented on Archie's skin colour' and calls rift between Harry and William 'irreparable' - but hints at thaw with King Charles The Crown actor Jared Harris who portrayed dying King George VI in first season of Netflix show says Royal Family would be 'delighted' by the series

(G)local Hospitality

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Rochelle Humes jokes about husband Marvin's I'm A Celeb stint after his hilarious 'humping' trial with Josie Gibson Omid Scobie's new truth bombs: Harry and Meghan's pal says William 'embodies' the Firm and hints Duke's rift with King Charles could be 'on the mend'

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By gosh, these are busy women. I don’t know how they do it. Thankfully, they have gathered around them a wonderful community. Forsythia, Adam, his nephew Jesse, their three children, and now Del’s school children and their families. The sisters’ brother Anders also comes to visit, bringing his friend RJ. There are also new challenges for the sisters and their growing family to face. Plagues of grasshoppers, families damaged by violence, and a schoolhouse destroyed by a twister. With the amount of work to do, especially with the harvest and wanting to start on their boardinghouse, the Nielsen sisters need all the help they can get, but they also know that if they want to achieve their dreams it’s up to them to make it a reality. I'm A Celeb's Grace Dent sparks concern with her 'scarily unwell' appearance after one week in the jungle: 'I didn't even recognise her' The narrative introduces Leah Hanwell in the garden of her Caldwell flat, ‘[f]enced in, on all sides’ ( Smith 2012: 3). She is subject to a cacophony of other voices impinging on her daily life, creating a claustrophobic atmosphere of otherness from the outset. Leah, a woman of Irish descent, shares her flat with her French-Algerian partner, Michel, who longs to escape the squalor of Willesden and improve his financial situation. He is well aware of the inequalities within London, accepting it as a fact of contemporary life: ‘Michel likes to say: not everyone can be invited to the party. Not this century. Cruel opinion – [Leah] doesn’t share it’ ( Smith 2012: 3). Despite his transnational parentage and social standing, Michel feels no empathy for other cultures; instead, a sense of moral responsibility and accountability is reflected in Leah’s localised engagement. By demonstrating a commitment to her area, working for a non-profit charity organisation helping local communities, Leah positions cosmopolitanism to require individual agency and performative acts of socio-cultural engagement. The initial chapter, ‘Visitation’, involves the unexpected appearance of a distressed woman named Shar on Leah’s doorstep, who claims to need money to visit her ailing mother in hospital. Leah accepts Shar into her home (the threshold of the doorstep signifying the invisible boundary between detachment and commonality) following Shar’s claims of being local and sharing mutual acquaintances from Leah’s past. Immediately, then, the narrative also brings into play the notion of hospitality: opening the door to the ‘other’ evolves into an act of cosmopolitan solidarity, widening one’s capacity for empathetic identification. The incident serves as an analogy for global hospitality at the most micro-level, suggesting the limits of neighbourliness when living in close proximity to others, and drawing Leah out of her initial isolation. The best (and WORST) Christmas markets 2023 in Bath, Edinburgh, Manchester, London, Birmingham and more

I'm A Celeb's Grace Dent admits her heart is broken as she thanks tearful campmates for 'holding her up' in emotional goodbye letter after leaving the show on medical grounds Grace Dent's week in the jungle in pictures: From vowing 'to not go out first' to a 'scarily unwell' appearance and THAT 'I want to go home' confession The socio-economic and ethno-political troubles of the early twenty-first century necessitate a more realistic narrative commentary on the importance of multicultural relations and civic responsibility. This article has attempted to show that, rather than circumventing the more global issues of displacement and cultural hybridity inherent to White Teeth, NW moves beyond the limitations of ethnicity alone and positions such contested issues as everyday features of the post-millennial urban environment – less raw and more quotidian. The novel’s characters become more than exaggerated ethnic stereotypes (a charge levelled at Smith’s earlier fiction) employed to display the true diversity of London’s thriving transnational communities. Cross-cultural interaction in the narrative remains subordinate to related issues of socio-economic status or social-standing, reflecting Smith’s claim that ‘human problems persist’ in the capital but ‘most of them in my opinion are ones of class and money, not of race or cultural tendencies’ ( 2010: n.pag.). By interrogating how cultural connectivities are forged across these established divides, the novel utilises Willesden for the exploration of wider cosmopolitan ethics, with the narrative marking a progression away from On Beauty’s ( 2005) limited focus on the aesthetics and ethics of art: ‘mining not only the ways in which we feel but also exposing the stratified ways we live’ ( Marcus: n.pag.). Through the ethical and cultural agency of Leah and Felix, Smith defiantly portrays London as an exemplary transnational metropolis of social and ethical possibilities at the beginning of the twenty-first century. Despite the contrasting ethnicities and socio-economic status of its characters, NW forges a commonality between vastly disparate individuals in troubling and melancholic times, their spatial coordinates and sense of belonging uniting them as residents of contemporary north-west London.This was such a funnovel as we watch yet another sister find her future in life and love. Plus we learn more about the others and watch them overcome adversity and hardships. And another character from book one comes to visit too! But I don't want to tell too much. Olivia Munn puts on a busty display in a very plunging bright red swimsuit as she teases fans while sipping on a can of soda